English
 

Building the canvas

I had always bought pre-made canvas; with the idea of a next painting in mind I went to my favorite art store to find the perfect one. The range of sizes available was huge but I couldn't help this megalomania that always makes me want to make bigger things. I bought pre-made wooden frames and a huge canvas rolls, and the needed tensing grip plus the big stapler, and also collected a few tricks. The next steps are quite straightforward even for a first-timer, except that you need strong hands to keep the linen tense while you stapple. Really strong ones. I think I haven't been able to grab anything for the next 2 weeks, almost.
Another layer of white paint to prepare for oils and the monster was ready. 120x200cm (47x79"). Higher than me! (which was a challenge) and 2.5 times the surface of Below the Rust or Home and Fairies.

Sketching

Michael Zancan sketching a canvasRight after finishing the digital painting that I submitted in a rush for CGtalk's 'spectacular' context, I barely allowed myself 2 days of repose before I started to sketch the outlines onto the canvas.
First I drew a grid on the canvas, with smaller cells on areas that needed more precision.
I printed out on photo paper a version of the digital painting, and also printed on a transparent plastic sheet the grid to map on top of the print . It really helped for the copying, but for the buildings, I couldn't avoid tracing the vanishing points and perspective lines... except that one vanishing point was supposed to be set on the northern wall of the bathroom, while another was in my bottom neighbor's dining room. Thus lots of hassling measurements were to be done to fix this *slight* issue.

Painting

Painting details on Garden of GiantsOf course, having made the same picture once in CG helped me to paint much faster. I didn't have to think about what-color-am-I-going-to-put-where all the time. I have managed to maintain a daily discipline, painting about one hour the morning before going to work, and the evening at least one hour too even when coming back home real late. But generally I was painting each evening insanely late, until terminal exhaustion
I thought it could be boring painting the same image twice, but it's not. The approach of the media is so much different. As I keep saying, there is much more than an image when painting with oils. It's something deep in me, that I really need.
Also, the second version promises to be better than the first. More details, more time to finish it, more thinking, and it's so big that when standing in front of it you get easily swallowed.

Step by step action

I've been taking pictures of the canvas all the way through, and put them together on this slideshow.
Currently, I almost done with filling up the canvas with paint, but still there are one million things to paint over or to tweak here and then.

Comments

Eerin
Jul. 13, 2011 18:14
I think your art is absolutely amazing, and your focus and patience for details is a true gift next to the gift of creativity that you have.
Its wonderful and its a huge inspiration.

What I also like is your eyes :) haha, which has nothing to do with your paintings. I`m in love with your eyes!
Michaël
Jul. 15, 2011 16:06
Ahhh, well, thank you very much for those compliments.. but the eyes ? Hmm are you sure that the ones you saw belong to mee? ;) there is truly nothing special about those eyes.
Jess Benjamin
Oct. 11, 2009 11:28
Michael,

You make me want to lose myself in my art again... thank you.
Sep. 14, 2009 23:03
Hey i just wanted to say that i love your work, as many clearly do. AMAZING Talent, i wish i had the talent that you do with paint. Just incredible.
prajjwal
Aug. 15, 2009 21:02
this is the feelings what i ever searching for.
Pamela
Apr. 16, 2009 17:46
Oh and the name thing, I want to mention you as an inspiration.
Pamela
Apr. 16, 2009 17:44
Hi Michael. I just love your traditional paintings a lot! Especially this one.

How long did it take you to finish this? And were there time when you just want to give up on a painting? If so, what do you think about to get you going?

Sorry for nagging. I'm really inspired.
By the way, I'm planning to put your name in my portfolio for the HKCEE. It's a public examination in Hong Kong and I was wondering if it's alright...

Thanks. ;D
Apr. 8, 2009 1:34
Hi, I have a question! Do you use reference for your figures?
Michaël
Apr. 8, 2009 20:50
Usually I don't. I try to rely on the small knowledge I've acquired by reading various anatomy books or drawing methods. Which is great, especially in cases when your creatures are supposed to be different than human kinds.
In the other hand, practicing only from imagination tends to a quite rigid, stereotyped drawing. Only real life confrontation can give you an insight into nature's marvelous richness and creative ability. So I ensure to enroll models from time to time, usually when my drawing is done and I want to verify or improve some features.
Mar. 13, 2009 23:09
Your paintings are simply captivating and intoxicating, as though they came straight out of a fantasy world. Not one world, but a million put together, plus all the imagination capacity of another million. They are all entirely enjoyable and really, just mindblowing.

You're also a talented writer, if you write all those little posts before the artwork. (Forgive me if I am mistaken; I haven't any backround information on you) Keep up the spectacular work.
Michaël
Apr. 8, 2009 20:09
Unfortunately I can't reach the right feeling to create often enough. But when it comes with all its depth, its warmth, its chills, then it's the right moment to paint ( or to write, it's even). I would say that in these moments, the creative impulse is more motivated by pure sensation and intuition rather than imagination.
Thank you, Katy, for your kind message and your encouragements.
:((
Mar. 4, 2009 4:56
you make me sad................ :((
Feb. 22, 2009 1:26
Zancan I must say you are quite certainly my favorite artist. I am 20 years old and I am going to college for Multimedia and Design. From the first time I saw your work on deviant art I loved it. By far your work has influenced my idea of art and defined what an artist should be in my mind far more than any artist I've seen. I look forward to seeing your work in galleries in the future. In my books you are one of the greats. Please keep us out here on the internet updated. perhaps one day I will be able to gaze upon your creations in person.

signed,
John
Michaël
Feb. 23, 2009 1:53
This was much appreciated here. I hope your studies get you the closest to your ideal of an artist as well. Good luck !
anso
Jan. 8, 2009 17:03
Waaw! Je kan fantastisch mooi schilderen... het is ook leuk dat je close-ups en stap-voor-stap plaatjes hebt gepost. Mijn favoriet? 'Home and fairies', die vleugeltjes zijn supercool uitgewerkt!

Het spijt me, ik kan geen Engels.
Dec. 9, 2008 18:15
wow, your work is so awesome. I really like the fact that you use traditional art instead of just computers. How long have you been painting and do you have any education? I just wanna know if i should feel like i suck or not >.0
Michaël
Dec. 14, 2008 0:47
Painting traditionally is long but I feel like it gives so much more to the one who is patient enough.
I have started to paint with oils in 1999, but I had practiced other mediums before; anyway I started quite late, in my twenties, and it was a hobby, I mean I wasn't taught.
Why would you think you'd suck? The most important is to enjoy doing it. Of course, if you start to have high hopes, you will have to work a lot just like anybody, but just make sure you get pleasure in drawing or painting. Do it for yourself.
Milli
Sep. 23, 2008 16:23
c'est tout simplement incroyable, d'après moi, je dessine un peu mais je suis loin, très loin d'avoir ton talent et la rigueur que tu as pour tes heures de travail, en tout cas, bonne continuation !!!
Mariana
Sep. 12, 2008 4:55
You are a great artist! Great paintings, hard to see that kind of art around these days!!!! Amazing!
Roa Diego
Sep. 12, 2008 3:58
Bonjour Zancan,
J'apprécie beaucoup cet avancement en "pas à pas", ta méthode de traiter le sujet d'abord sur ordi puis à la peinture est très intéressante.

Pense tu que cet approche pourrait etre appliquée dans un cadre scolaire?
La richesse d'une œuvre peinte à la main n'a selon moi pas d'égal en numérique, dans ce monde ou tout devient digital sa serai surement un bon moyen de rendre hommage au réel.
Je comprends que le procédé comporte des limites notamment lors de l'utilisation de textures, ton style ne semble pas en dépendre cependant.

bonne continuation!
Hogarth Ennis
Aug. 22, 2008 3:14
le chat mange le sac

tres bien!
Aug. 20, 2008 3:35
Ta façon de bosser me rends vraiment admiratif, je suis content que tu prenne le temps de nous montrer ces images.
La taille réel des canevas est assez impressionnante.

Je bookmark ton site que je trouve également très réussi dans son design.

Emilie
Mar. 2, 2008 18:27
c'est magnifique !
j'adore ton travail et tes peintures !
tu as un talent immense !!
bravo !!!! :D
Michaël
Mar. 3, 2008 8:55
Merci beaucoup :)
Jan. 19, 2008 23:25
I really enjoy and love your paintings! They're great!
marion
Sep. 24, 2007 19:00
slt je m'appelle marion j'ai toujours était fasciné,attiré par le dessin et la peinture surtout le dessin une fois que je commence je m'arréte plus je me dit qu'il faut que je finisse dans le moindre détail !!! (^_^).
May 22, 2007 14:07
I'm impressive your works. I really would like draw like you and I'm still work on my technique. :)
Thank you for wonderful inspiration! :D
Feb. 18, 2007 11:15
I love your work - I first saw your picture a couple of years ago called 'Melancholy of the Butterfly' and was instantly amazed. I was wondering two things about your painting, when you do the outlines do you just use a normal graphite pencil or something different? And (excuse me if this is a dumb question) why is the canvas version of this picture inverted?
Michaël
Apr. 16, 2007 8:32
Thanks Michael. These aren't dumb questions at all.
- For the outlines I generally use charcoal or extra dry graphite, although it's not easy to cover up. Sketching with diluted paint (water or oil based) is better but I'm not too comfortable with brush sketching.
- In fact, it's the digital version that is inverted. I figured out that it was a more suitable orientation for various reasons, but I had already started the canvas version at that moment.

And btw I sooorry for the awful delay in replying.